![]() ![]() But a sense of tension and terseness ran throughout most of its 10 songs - the perfectly timed soundtrack for an increasingly discombobulated generation grappling with life during Vietnam, Richard Nixon, and everything else hitting them at once.īut these four men, either at or approaching their creative peaks, also arrived with piles of new material, and this four-disc set attempts to bring order to it all. From the wail-of-sound harmonies on their rocked-out cover of Joni Mitchell’s “Woodstock” to the living-room warmth of Graham Nash’s “Our House,” it had moments of brightness. The album that emerged from the charged and often fraught sessions largely lacked the sunshine-harmony joy of its predecessor, Crosby, Stills & Nash. Released in time for its 51st birthday (these guys always broke the rules, starting with the use of their names as a band), it asks you to imagine the ways in which one of the more beloved classic-rock albums could have been almost entirely unlike the album we’ve known since 1970.įor their first full-on studio collaboration with Neil Young on board, CSNY headed into Déjà vu in the summer of 1969 in various states of psychic fragility, cockiness, and apprehension. The boxes complement, rather than upend, the core record.īut in multiple beguiling ways, the 50th anniversary revisit of Crosby, Stills, Nash & Young’s Déjà Vuoffers up a new twist. For your extra dollars, you’re handed an updated, sonically enhanced version of the original album, a smattering of alternate takes of its songs, maybe a few tracks that had been relegated to the vaults or a DVD with period footage. By now, the formula for blown-out editions of landmark albums is set in archival stone. ![]()
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